Saturday, January 5, 2013

Some Brief Thoughts on Traditional Weapons Training


“Wars may be fought with weapons, but they are
won by men. It is the spirit of the men who follow 
            and of the man who leads that gains the victory.

                                                                   -George S. Patton
          
          The Korean for Weapon is “Moo Ki”, and combines the characters for “martial” and “instrument.”  Thus we know from our previous analysis, a weapon, as defined in Tang Soo Do, is an instrument used to stop conflict.  As we train our black belts in the use of weapons, traditional or otherwise, we must be mindful of this definition.  Much has been written about the weapons of the various martial arts, and this chapter does not serve to inform instructors which weapons they should and should not teach, nor does it hope to instruct any techniques specific to one particular weapon.  Instead, it embraces the idea that we should teach our black belts concepts rather than techniques, and is meant to encompass the use of any weapon, whether it is one of the traditional adopted weapons of the World Tang Soo Do Association (staff, knife, sword, and cane), martial arts weapons primarily used in other arts (nunchaku, tonfa, kama, sai, etc.), or even improvised weapons, which can be, quite literally, anything. Regardless of the weapon used, it is important to recognize that the instructor should first have trained with it extensively in order to understand its characteristics and uses in the realm of the martial arts.  The selected weapon, as Grandmaster Shin tells us, should not be randomly chosen, but instead should be “a tool for daily polishing of the mind, body and spirit.”[i]


Step 1: Identify an Advanced Concept

            In the case of weapons training, identifying an Advanced Concept is not difficult.  Virtually every martial art in existence agrees on one point when it comes to the use of weapons: that the weapon is an extension of the user’s body.  This can be taken to another step, though.  If a weapon is truly an extension of one’s body, then it cannot be considered a separate entity.  It is therefore treated as if it is a living part of oneself.[ii]  As we combine these ideas, then, we arrive at the following Advanced Concept:

A martial artist’s weapon is not separate from the self, but is an extension of the self.

          When we use the term “self” rather than “body”, we better understand the serious nature of training with weapons, and better appreciate the focus required for a martial artist to achieve this state.  How do we guide students toward this?  We cannot simply hand them a particular weapon and expect them to be able to make it an extension of the self.  The basic techniques and principles of usage of the selected weapon must be developed first.  At some point,  they should be able to extrapolate techniques for a new weapon from techniques they already know from using another weapon, or from empty handed techniques.
        
Step 2: Uncover Basic Concepts

            If we truly want our students to develop the ability to extend a part of themselves into the weapons they use, then they must be able visualize the weapon as a part of themselves at all times, even if they are not using it.  Paradoxically, there is a way to help them do this: by separating them from the weapon.  We remove the weapon itself from the hands of the student, but then have them same student execute both the basic techniques of the weapon, and any associated weapon hyung and dae ryun while remaining empty handed.  Just as an observer should be able to “see” the opponent of a martial artist who properly executes hyung, that same observer should be able to “see” the weapon, even if it is not actually there.

           The movements of the body should not change, whether the martial artist is actually wielding the weapon or not.  In practicing separation, we are actually working towards union, and we uncover the following Basic Concept:

After proficiency is achieved with the basics of a given weapon, a martial artist does not need to hold that weapon in order to train with it.

            Obviously, at some point, the black belt must again train while holding the weapon in his or her hands.  At this point, the student should begin to engage in both pre-arranged sparring and free sparring techniques with a safe training weapon that simulates the actual weapon as closely as possible.  The student will begin to learn to apply the basic techniques and principles of the weapon with a partner, and will achieve a greater level of comprehension regarding how the weapon is used in scenarios that involve single attackers, multiple attackers, and even attacks with weapons other than the one they are currently using.  Students will quickly learn whether their actions with the weapon are instinctive, intuitive, and effective, as they should be if the weapon has truly become an extension of the self. This idea is the key to another Basic Concept:

When a weapon becomes an extension of the self, it can be used in an instinctual, intuitive, and effective manner against an attack.

            Finally, the student must begin to link the use of the weapon to techniques he or she already knows how to perform without a weapon. At this level, a student should be able to perform the techniques of empty handed drill and hyung while holding a given weapon, deducing the application of that weapon that most closely reflects the movement, intent, and meaning of the given empty handed technique.  In other words, “it’s all the same,” and:

If one can execute a technique empty handed, one can execute the same technique with a weapon. 

Step 3: Understand, Apply & Improvise

            Once again, the previous section in this chapter correlates directly to the ideas of Understanding, Application, and Improvisation.  When we separate students from the weapon, but ask them to still “use” it, they are forced to concentrate on every specific movement of the body that occurs when holding the weapon.  They begin to Understand why the body moves as it does while using the given weapon, and at the same time develop a greater Understanding of the weapon itself.
            When students are asked to use the weapon in scenarios that involve a partner, or attacker, or even multiple attackers, they enter the stage of Application, and must deduce how to use the selected weapon in an effective manner.  Initially, these scenarios should be pre-arranged and repeatable, but over time, they should progress closer to the “free” state, in which neither attack nor response are predetermined, and instinctual use of the selected weapon is tested. 
            When students are asked to perform empty handed techniques or hyung with a weapon, this is Improvisation.  They must learn when a specific motion or technique with the weapon matches the empty handed technique in question, and must choose their own interpretations for each, sacrificing neither the intent of the original empty handed technique nor the effectiveness of the weapon technique.  When we realize that it took many years to become proficient with the basic empty handed techniques, and we consider that there are a myriad of weapons from which to choose, this practice can easily fill a second lifetime when taken seriously.

Moo Ki: Conclusions

            Training with weapons is not something to be taken lightly by instructors or students.  To do so is to ignore everything we have learned about the martial arts prior to attaining black belt.  Weapons training should only be undertaken with a serious attitude, under the supervision of a qualified instructor, and should only be taught if one has developed proficiency with the weapon to be taught, by learning from a qualified instructor, or through years of extensive independent research, study, and training.  When we train with a weapon, we are actually refining our own spirit.  We will learn through this training that:

1.      A martial artist’s weapon is not separate from the self, but is an extension of the self.
2.      After proficiency is achieved with the basics of a given weapon, a martial artist does not need to hold that weapon in order to train with it.
3.      When a weapon becomes an extension of the self, it can be used in an instinctual, intuitive, and effective manner against an attack.
4.      If one can execute a technique empty handed, one can execute the same technique with a weapon.


[i] Shin, Jae Chul. (2000). Traditional Tang Soo Do Volume IV: The Advanced Hyung Philadelphia, PA: Jae Chul Shin, p.89
[ii] Shin, Jae Chul. (2000). Traditional Tang Soo Do Volume IV: The Advanced Hyung Philadelphia, PA: Jae Chul Shin, p.89

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